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Does A Proper Sports Car Need To Be Manual?

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Does A Proper Sports Car Need To Be Manual? – Speedhunters



Does A Proper Sports Car Need To Be Manual?

To manual or not to manual in a sports car? Is that even a question worth asking?

Over the last couple of decades, many auto manufacturers have decided to make the choice for us, racing to develop the fastest-shifting dual-clutch transmissions. Then ZF hit back with their 8-speed torque converter, which seems to do 90% of what the best DCT gearboxes offer, but at a far lower cost, making them an obvious choice for use in premium vehicles. Through all this, manufacturers like BMW and Porsche have put their customers first with the option of proper manual gearboxes. You can even get them in the M3, M4 and new 992 GT3.

But today it’s another manufacturer that I want to talk about. Up until a few months ago, Aston Martin was a brand that I didn’t really associate with. Sure, I knew they still existed and also acknowledge and respect what they stand for, but there was some disconnect. Why? I don’t think I can even answer that. I’ve ridden in and tried a few Astons in the past, but they’ve never really captured my interest.

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They have certainly always spoken to me with their elegant design, but that’s about it. Once upon a time, I only thought of Astons as cars either for older gentleman, or for masochists who like to drop substantial sums of money into something that they know will have reliability issues.

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But over the last few years I’ve had the chance to meet and spend time with various Aston Martin models.

My fondest memory was borrowing the four-door Rapide for a special feature we worked on. I remember loving the car as much as particularly not loving it. Aston created something fresh and incredibly beautiful in the Rapide, but at the same time so many aspects of it felt frustratingly dated.

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I remember thinking what a pity that was, especially because the car really made you feel special, whether looking at it over your shoulder when you walked away or sat behind the wheel. It just needed that bit extra; a little sprinkle of newness that would allow it to truly shine and feel current.

It’s taken Aston Martin a few more years to get to that point, and for me the 2020 V8 Vantage is a big wake-up call. This year, it’s even offered with a manual transmission option.

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This Aston has truly mesmerized me. The V8 Vantage is a true brute of a car; a hooligan dressed in a finely-tailored tuxedo ready to party at any time, but at the same time able to be a luxury GT that can be easily used every day. The reason behind this is the Mercedes-Benz partnership.

All V8 cars in the Aston Martin range now sport AMG-sourced engines, and integrate previous-generation Mercedes-Benz infotainment setups within their cabins.

The notion of a revered manufacturer dropping its identity for a parts-sharing program won’t sit well with everyone, but I’m of the opinion that it’s worked out rather well for Aston Martin. Hear me out…

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Would it have been better for Aston to evolve its old V8 motor or develop a whole new unit? Sure, an original powerplant would guarantee pedigree and a tangible character that would make it stand out against other V8s, but in the real world, a massive investment is needed for a manufacturer to embark on a new engine project, not to mention the time involved.

Simply, it’s prohibitive for small manufacturers to do this sort of thing now, which is why Aston Martin collaborating with Mercedes-Benz was a very good idea. At least they picked their best V8 to drop into the Vantage, and even if it sounds like any AMG 63-badged Benz out there, who really cares?

If it’s good enough for Pagani, I’m pretty sure it will suit Aston just fine.

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Not one time firing up the 4.0L ‘hot-vee’ twin-turbo V8 did I complain that it sounded like an AMG GT or a G63. No, I smiled, or rather grinned evilly knowing the sheer thrust this motor is able to deliver.

The way it’s presented under the hood is very dramatic too. The entire front cowl lifts up exposing the compact motor nestled deep against the firewall for that true front-midship layout. If I really had to be picky, it could be a tad more curated in this respect. A more pleasantly-designed engine cover and a splash of color to lift some of the details would do wonders. Currently, you can only have this if you opt for the pricey optional carbon fiber pack.

What annoyed me the most was the unequal length and shaped rubber hoses that connect the turbo intakes to the two air boxes. Would symmetry have been so difficult?

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And then, to bring it back around to my intro, there’s the transmission – or rather the choice of two. One is the ZF8 8-speed fast-shifting auto gearbox, as fitted to my test car, and the other a 7-speed manual that is available as an option.

I’m a big fan of traditional manual transmissions, so if the option is there I don’t need to consider anything else. After all, there is nothing that offers that direct link to a car like rowing through an H-pattern ‘box to upshift and downshift to and from whatever gear you feel like.

Out on the road, the Vantage is one of the best cars I have driven in the last couple of years. The interior is a special place, but the performance is what truly shines. This car has an instant bark of torque as soon as you step on it. Play around with it too aggressively before the tires are up to temperature and it’ll slither up the road like a well-prepped and tuned drift car. But even when the rubber is at optimal temp, you still need to be careful unleashing the 503hp on tap.

The handling via active dampers is sharp when you want it to be, but comfortable and refined enough when you just want to cruise. It’s rewarding to drive as it just feels so well-sized; it shrinks around you and there’s plenty of feedback through its controls.

I really have nothing bad to say about the 2020 V8 Vantage – other than that it deserves an even more antisocial-sounding exhaust – and that’s rare.

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Let me show you that cabin, which you access by pivoting out the door handle. This allows the door to smoothly swing open but also rise up vertically in proper Aston Martin fashion.

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This press car is finished in a subtle metallic silver, but there was a far more exciting color inside.

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Small cabins with high belt lines and thus pretty short windows really do need a pop of color to make them feel less claustrophobic, and the orange trim highlights do a good job of that here.

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Well-selected materials are a tactile delight, and you can tell that these cars are still, for the most part, built by hand.

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There is plenty of space in here for two occupants, including ample shoulder room as the Vantage is a pretty wide car.

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Thankfully, Aston has ditched the ugly steering wheels they used a generation back. This is how you expect a modern car to look and feel.

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The main dash instrumentation is all digital, distributed through three specific displays. In the center you have the tachometer, while the side screens giving you a few different parameters along with indicators for the damper setting and driving mode you have selected.

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The wide center console houses all the switches and dials to control both the infotainment and some car-related settings.

If the shiny touch panel with the scroll wheel underneath it looks familiar, it’s because this is what Mercedes cars used one generation back. It’s not the greatest unit, but it still feels modern and far more reliable than anything Aston could have developed in-house.

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They even added a knee pad on each side of the transmission tunnel, which means you don’t exit with bruised limbs after a spirited drive through some twisty backroads, something that happens to me with a lot of cars.

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Lift the tailgate and you’ll be surprised at the amount of space you have. The trunk easily swallows a couple of camera bags and a tripod, meaning it’s perfectly sized for a weekend getaway.

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Design is subjective, so I don’t want to spend long talking about looks, but it’s hard not to fall for this car. It’s simple and elegant yet incorporates aggressive touches, my favorite being the rear light setup that swings up along the trunk line.

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This creates an instantly recognizable shape. You know it’s an Aston Martin from a mile away, and I think that’s half of the job done right there – penning a recognizable shape as a signature for your brand. This is something Aston has always done well and their new crop of cars are no different.

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The reason why I got to drive this car for a few days – and decided to take the gearbox angle for this story – is that when chatting to Aston Martin’s representative in Japan was told that the manual version of the Vantage V8 would be arriving in the country this year.

I’m sure it will represent the ultimate interpretation of this chassis, but while waiting for the manual test car to arrive Aston Martin Japan suggested I first try the 8-speed ZF automatic-equipped V8 Vantage, and here we are.

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Having been pleasantly surprised at the capability and everyday usability of this thing, I’m hoping the 7-speed Graziano manual 2020 V8 Vantage will be even more special, and then the question I’ve posed in the title can be definitively answered.

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A manual always allows the driver to feel more connected to the car, more involved, and therefore offers up a far more satisfying driving experience. In 2020, finding manual cars with this sort of performance pedigree only leaves you with a handful of manufacturers, but hopefully that will change.

So I’ll end this story here; call it part one of my Vantage V8 experience. Now, I better hit up Aston Martin Japan and see if that manual has arrived…

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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Cranking An Exige S Street Car Up To 11

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Cranking An Exige S Street Car Up To 11

JDM Roots

Wheels, suspension, aero. Intake, exhaust, and a tune. Rinse, repeat. There’s nothing wrong with this, but some people like to go further.

Eric is one of those people, and after modifying mostly Japanese cars over the previous 15 years, he says he “took a step back to assess the path [he’s] been following. The way I try to modify and upgrade cars has always been the same, meaning I try to make them more distilled and more race-inspired. Nothing is more important than the foundation, so why not start with a car that’s already built to be like a street-going race car?”

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After graduating from his highly-tuned AE86 and his LS-swapped FD3S, both of which were modified through and through, Eric stepped up to a Lotus Exige S.

When I heard the news I was a little disappointed, in the sense that I wasn’t sure how far he would be able to take this car. Sure, I’ve seen plenty of big-budget Lotus builds for the track, however, when you look at Eric’s previous cars I didn’t think he would able to crank this one up in the same clean and cohesive way for the street.

Sometimes, it’s nice when your wrong.

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Eric built on his foundation of modifying Japanese street cars and carried the same ethos over to this British coupe. Everything has been torn down, replaced, or made better. Extremely well-engineered factory components have been replaced for even more impressive aftermarket ones, and while the car has become more aggressive looking through the process, it isn’t overly so.

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Like his Mazda and Toyota I shot previously and featured here in 2017 and 2018, Eric’s Exige S retains its fantastic factory body lines. No gaudy wide-body, no ridiculous aero, and a lower but sensible ride height.

Still, form follows function close behind, and the package as a whole is simply an elevated version of the factory car. They’ve all looked phenomenal, and the spirit of the car is still there behind the wheel, despite all of the aftermarket parts.

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Considering a stock Exige, I’ve always thought of them as leaning toward the exotic side of things despite carrying a price tag similar to cars that, while nice, are very mundane. Eric, like myself, says his “pragmatic side has always kept [him] away from new-age luxury cars and supercars due to their complexities and electronics.”

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He continues, “but I fell in love with the interesting blend of features the Exige has: very raw, an almost unfathomable 2,000lb curb weight, mid-engined, exotic looks… and actually quite practical. I like to be able to know how to work on and maintain my cars myself, and it doesn’t get more simple than the Toyota powertrain and underrated supercharged 2ZZ.”

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Like Eric’s other cars, this Exige has been a home-brewed affair, built entirely in personal garages. However, usually when I think Lotus, I think sterile. Proper British engineering (if there is such a thing), owned by likewise proper businessmen or well-to-do track day enthusiasts.

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In other words, these aren’t cars that seem synonymous with wrenching in a garage late at night, waiting on parts from Japan, performing your own suspension setup, carefully fitting carbon fiber trim yourself, and so on.

And yet, here we are.

Late Nights

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Precisely, this time around we’re in Ezekiel Lee’s home garage where the suspension and exhaust were getting overhauled. The vibe here is what I think Speedhunters is all about; just a couple of guys, wrenching away on a Toyota engine, hands dirty, sticker-bombed toolbox, just having a good time despite the setbacks and frustrations that come from any project like this.

It just so happens that the Toyota four-banger in this case is supercharged, and bolted to a British go kart. Otherwise the sentiment and the process have been the same as Eric’s other cars.

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When we hung out while the Lotus was under the knife, Ezekiel still had a day job and was just rebuilding gearboxes and doing other service for friends (and friends of friends) during his spare time at night or on the weekends. Ezekiel has since graduated to a shop in Fremont, California – CM Autohaus – where he has been able to scale up his operation.

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We met up nearly two years ago, in fact, and it’s been really inspiring to see Ezekiel’s progress since that time. Ezekiel embodies the Speedhunters-type hustle that so many of our readers have, and he has moved from this being a hobby, to a job, and into a growing career.

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Some of the most well-executed cars come from the most unlikely places, and this small garage in San Jose was where Eric’s very special Lotus got a few steps closer to completion. Of course, there were tons of other nights after work and long weekends that Eric and Ezekiel spent together, as well as plenty Eric spent on his own with the car in his own garage.

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I’m sure this resonates with many of you, as well as many of us here on the team, who don’t have a ‘professional’ space or all the tools that we wish we had. And yet, Eric shows us again just how far you can take things with limited or no help from a full-scale shop. This leaves more money for parts, and as with his AE86, Eric seems to have spent all of it.

Parts, Parts, Parts, & More Parts

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The mod list on this car is a mile long, and far exceeds the level to which I thought anyone would take a street-driven Exige. The nice thing is, unlike many of this car’s track-going equivalents, great measures have been taken to ensure the car still works through a crowded downtown and also to retain the factory charm and aesthetic.

These cars are fairly stripped down and somewhat brutal from the factory, with their firm ProBax bucket seats, exposed aluminum tub, and few amenities. In Eric’s usual fashion, he’s taken this and simply enhanced it.

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There’s a sound system with JL Audio speakers and a subwoofer built into a custom enclosure between the carbon fiber Tillet bucket seats, an Android-powered in-dash receiver, GRP carbon fiber components including extended door sills, console trim, and switchgear surrounds, a carbon fiber rear-view mirror, and an impressive InoKinetic shiftR111 shifter that also included replacement linkage and cables. The door panels, portions of the dashboard, and headliner have been covered in Alcantara, and parts like the satin handbrake lever and aluminum cupholder were poached from a newer Lotus.

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Gone is the somewhat cheap, plasticky interior experience that is delivered from the factory. Needless to say, it’s now a function-first cockpit that happens to also look fantastic thanks to the high-end components and thoughtful combination of parts from various catalogs.

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Outside, you have a Benetec dry-carbon rear wing and three-element diffuser that sort out the rear end and are balanced by more carbon fiber components including Shine Auto side skirts and a front lip. Beyond the rear wing these are relatively subtle parts, but there’s no way the awkward factory deck lid wing would look at home here.

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Another nice touch are the updated version of GRP’s LED taillights, which are plenty bright while maintaining a soft, consistent look. I’ve met Greg from Greg’s Racing Parts at the track before, and it’s cool to see so many of his parts ending up on this street build.

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Another interesting move that furthers the factory aesthetic is that OEM wheels and brakes are retained. The Lotus Sport 240R Cup wheels leave nothing to be desired, and the same can be said of the AP Racing front calipers that were taken from an ’08 model. Two-piece AP Racing rotors from EliseParts have also been added at each corner, along with G-LOC R8 front and InoKinetic rear brake pads.

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At the core of the suspension is a set of Quantum Racing One.Zero coilovers, which were going in when I visited Eric and Ezekiel in the garage way back when. These are paired with Quantum Q2 damper mounts, and billet front and rear uprights were purchased from EliseParts. Billet knuckles also replace a weak link in the factory suspension assembly, and many more intermediate parts have been thrown at the car to make it all work.

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Under the rear deck lid, the factory-supercharged 2ZZ-GE has been enhanced with a ReallyLightStuff intercooler, which is paired with dual SPAL fans. ARP hardware was used where possible, silicone radiator hoses replace factory pieces, a DeatschWerks fuel pump feeds Bosch EV-14 injectors, an ITG cold-air intake has been installed, and a Fidanza aluminum flywheel is utilized.

I’m just naming a few things here so you can get the gist; because covering it all just wouldn’t make sense.

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What I do want to focus on when it comes to the powertrain is the titanium ARQRAY exhaust that had arrived from Japan when I visited Ezekiel’s. Eric is holding the muffler up above at the beginning of the article and it’s amazing just how much lighter it is than the factory exhaust.

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Titanium is a wonderful thing, and paired with a DMZ Ultimate exhaust header, the four-cylinder sounds solid. Have a listen for yourself.

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As extensive as that list was, it’s truly just scratching the surface.

The Experience

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What matters in the end is how the car actually drives. Has this plethora of parts actually improved the experience? Has the big budget made the car more fun to drive? Does it look demonstrably better than when assembly was completed near Hethel airfield in Norfolk, England?

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Yes, yes, and yes.

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The lower ride height is not such that the car is unusable, but in the already great chassis you can truly feel every last thing it’s doing. With the engine riding along right behind you, the car has insane balance. It’s the type of experience you can only feel, and words won’t do it justice.

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It’s also hard to sum up a build like this, where so many incremental improvements have been made all around. Still, Eric gave it a shot: “As good as the Exige is from the factory, it was still just a starting point for me as there are a few easily identifiable areas where Lotus had to cut corners for costs. My plan was to address all these ‘shortcomings’ and realize a higher-spec Exige that could have came from the factory if Lotus was willing to sell the cars new at a higher price point.”

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And that’s the interesting thing about any stock car. There’s a certain balance that manufacturers need to strike between many factors; cost, safety, fuel consumption, compliance, comfort, and other such checkboxes. It’s pretty impressive what can be added to and taken away from an engineered car by an individual in their own – or a friend’s – garage.

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I had to ask Eric if, all said and done and after several build over the last few years, the Lotus suffices. He answered, “it has a fighter jet-like driving experience that further adds to its allure, which is something my previous cars lacked. They just felt like cars at the end of the day.”

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As satisfied as Eric was in this Exige, I could tell when we shot that he already had the itch to do it all over again. Still, Eric kept the car longer than any of his others before making another jump into one of his dream cars: a Porsche 993.

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This time around, he says he’s adjusting the strategy, and is quite happy with the car right out of the box. I’m sure he’ll eventually go down the inevitable rabbit hole and starting making some more serious changes, but time will tell.

Through all of these builds, though, one thing is clear: if something is worth doing, it’s worth doing right.

Trevor Ryan
Instagram: trevornotryan

Cutting Room Floor

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Team Speedhunters

Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Concept Artist:
Khyzyl Saleem
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Simon Woolley, Naveed Yousufzai


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When A Genuine Porsche 930 Turbo Slantnose Isn’t Enough…

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When A Genuine Porsche 930 Turbo Slantnose Isn’t Enough…

 

Introduction

 

The Porsche 930 Turbo ‘Flachbau’ – more commonly known as the Slantnose – is an extremely special car in stock form. But when you have one worked to the hilt, it’s something else.

The idea of a road-going 935 came about when Kremer Racing started making conversion kits for 930 Turbo models, with bodywork that resembled the famous Porsche 935 race cars. Then in 1982, watchmaker TAG Heuer’s co-owner Mansour Ojjeh commissioned Porsche to develop a one-off road-legal version of the 935, which Stuttgart did using a body shell from the 930 and fitting fabricated 935 body panels to it. The specially commissioned car also borrowed suspension and brakes from the 935 race car, a 3.3-litre turbocharged flat-six engine from the 934 race car, and was finished in Brilliant Red with super-dished BBS magnesium wheels. As you might expect, Porsche immediately began fielding requests for a similar factory offering.

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They eventually obliged too, adding the Flachbau (‘flatnose’ or ‘slantnose’) 930 to their Sonderwunschprogramm (special order program) from the 1986 model year.

This was basically an otherwise normal 930 with a 935-style slantnose instead of the normal 911 front end. Each car was handcrafted, which involved a complete remodelling of the the front fenders, so unsurprisingly, the Flachbau conversion wasn’t cheap – a 60% premium over the normal car to be exact. A total of 948 units were built, 591 of those being convertible models.

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Since then, there have been countless replica Slantnoses built, but this one is the real deal, as verified by Porsche AG. It’s still finished in its original Carmine Red, with some added Coca-Cola graphics.

Big Power

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If you know your Slantnoses, you’d already have noticed the rear wing, which wasn’t part of the standard offering. But this oversized unit had to be added to allow a larger intercooler to fit. Yes, the owner of this rare beauty was happy with the factory 330hp for a while, but eventually got bored I’m guessing. He wanted more; a whole lot more.

Today, tuned through a state-of-the-art MoTeC M84 ECU it makes a dyno-proven 486kW (651hp) and 794Nm at the wheels only a lowly 1.1bar (16psi) of boost pressure. The engine has been built for more though, and I’m told it should make close to 700kW (938hp) with around 2.2bar (32psi) dialled up. Although actually being able to drive it with that amount of power would be… interesting.

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As it always is with 911 Turbo engines, when you pop the rear lid you can’t see much. In this case it’s taken to the extreme with a massive custom-fabricated, twin-core Garrett intercooler staring back at you.

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The 3.3-litre engine itself features 930 Turbo Mahle Motorsport cylinders and forged pistons, along with Pauter I-beam rods, GT2 Evo cams, uprated valve springs and titanium retainers, and ARP hardware throughout. The intake manifold is a modified, newer-generation 911 Carrera unit which was cut and enlarged so it could be paired with an 80mm throttle body. Meanwhile, fuel is fed via Bosch Motorsport injectors, and there are 12 individual electronic coils for the twin-spark setup. To help eliminate any oil starvation issues, a complete GT3 oil pump conversion was made.

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The aforementioned boost is supplied by twin Garrett GT3071R turbos with Precision 46mm wastegates and a TiAL blow-off valve, all plumbed into a custom exhaust.

Even on the low boost setting, a lot of power is being made here, and helping it get to the ground is the factory 4-speed 930 Turbo gearbox with a Spec high-torque, single-plate clutch.

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Although the car sits really low, the suspension hasn’t been tinkered with. It’s still 100% stock. Of course, the 930 Turbo had decent suspension, but that was designed for factory power levels, so I’m not sure how it would fare with the boost turned all the way up.

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The wheels are proper ’80s racing porn – tasty BBS magnesium centre-locks with reverse faces. They’re wrapped up in Toyo Proxes T1 Sport tyres, 235/45R17 up front and 265/40R17 out back.

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In the brake department, although the stock calipers were retained, there are upgraded cross-drilled discs and competition pads all around for improved stopping power.

Get In

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It’s crazy to think you’re looking at a car from the 1980s when there’s a speedometer that reads all the way up to 300km/h and a factory boost gauge too.

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But with the black leather trimming, aluminium shifter, and Rennline floorboard and pedals, the cabin feels surprisingly modern.

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Taking an iconic Porsche and making it even better is always a good idea. In this instance, I believe it was a great idea.

The Coca-Cola livery is also well-suited for me, as just like Coke, driving this car must be super addictive.

Stefan Kotzé
Instagram: stefankotzephoto
info@stefankotze.com
www.stefankotze.com

Gallery

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Editorial Director:
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Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Simon Woolley, Naveed Yousufzai

 


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Two Decades Chasing Perfection: Neil Dawson’s E36 M3

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Two Decades Chasing Perfection: Neil Dawson’s E36 M3 – Speedhunters



Two Decades Chasing Perfection: Neil Dawson’s E36 M3

“Everyone started putting M3 mirrors on Corsas, so I figured I’d put AC Schnitzer mirrors on my M3.”

When Neil Dawson, the owner of this E36 M3, first said that, I couldn’t help but crack a huge smile. Partly because it’s the level of pettiness I aspire to, but mostly because I could tell his obsession for all things M3 stemmed from a single pair of mirrors. An obsession that’s lasted some 17-years now, and shows no signs of slowing down.

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Back in the 1990s, the E36 M3 was the BMW to have. That and brightly-coloured Tacchini tracksuits along with funky Mitsubishi-logo’d sweets. Its launch made the E30 BMW look and feel dated, and being a BMW fan already Neil quickly decided this was the next car for him.

These were the days before readily-available finance, however. You had to buy things the old fashioned way; cash was king, and good cars were expensive. So while Neil wanted an E36 M3 in the ’90s, his bank account wouldn’t allow it. That’d come later in 2002.

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This wasn’t Neil’s first foray into the world of Bavarian brutes. His weapon of choice was a black-on-black E30 325i Motorsport, the kind of thing you’d look at now as a ‘future investment opportunity’. A Dakar Yellow M3 coupe caught his eye, and if he could part-exchange the 325i, it could be his.

That wasn’t going to happen though, because back in 2002, the E30 wasn’t as desirable as it is today. So much so that when he offered it towards the M3, the dealer flat-out refused.

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The E36 M3 was by no means a rare car, but it wasn’t the mass-produced behemoth of M3s today. They were pretty exclusive things back then. Being just out of his grasp, Neil settled on a 328i M-Sport to fill the void until the right example came up. And lo and behold, six months later, an Estoril Blue M3 Cabriolet with Silver Grey interior did.

Fortunately, the dealer was happy to take the 328i as a part-exchange, meaning Neil finally had the M3 he always wanted. He was over the moon, and BMW’s approved used cars at the time came with a generous warranty. It would’ve been foolish to rush into any modifications at the time and void it, especially before getting used to the new car. So instead, Neil spent the next four years living with and enjoying the M3, and definitely utilising the warranty.

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The roof, gearbox, VANOS and various other components all deteriorated over time, and everything was covered. It was a great game right up until 2007, when BMW decided to start charging customers for their approved used warranties. Given the premium being put forward, Neil decided enough was enough – it was time to get modifying!

We say modifying, but it was more of an OEM upgrade. The M3 Cabriolet never came with the option of Vader bucket seats – something Neil preferred over the stock seats – so that became the first change. He even Connollised the leather himself to get it as close to a match as perfect. For me, I’d have been pretty happy, but Neil had other ideas.

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The interior quickly became his main focus, and bit by bit every panel you could see and feel was re-trimmed in Silver Grey leather. That includes the whole dash, tonneau, console and even the foot wells and seat bases. And for the panels not covered in leather? They gained carbon fibre to provide a dark, detailed contrast against the cow hide.

As the owner of a ’90s BMW myself, I can relate with Neil on just how pants the sound systems in these cars were. So with the interior being re-trimmed, it gave him the perfect excuse to begin the boot build. A pair of 12-inch subwoofers with a Directed amplifier were installed in their own dedicated enclosure, also trimmed in Silver Grey leather to match the interior. These were joined by a set of AudioEscape speaker pods in the footwells.

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By this point, there wasn’t really anything left to touch in the interior so Neil shifted his focus over to the engine bay. Much like the interior, what started off as a few dress-up parts soon became overwhelmed with both OEM and carbon accessories. Each one was chosen for a particular reason, including the GruppeM intake (which Neil is particularly proud of) and one of the rarest E36 parts available – an AC Schnitzer carbon fibre fan shroud cover. These were usually found on the ‘factory’ ACS3 CLS cars, and very few were ever sold separately.

I’m too young to remember the Max Power days of the UK car scene, but like all types of fashion it inevitably comes full circle a good few years later. There’s no denying that the ’90s/’00s era of styling set the tone for a generation; you could literally go to your local Halfords and (if you had the cash) give your car a complete makeover there and then. A fresh set of rims, spoilers, stick-on chrome detailing and plenty of audio.

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It was also the era which made the humble M3 mirror an essential item for every car that wasn’t an M3. Even more so than Lexus tail lights. Whether you were creating an M3 replica from a 318is or simply trying to make your Cavalier stand out from the crowd, M3 ‘style’ mirrors became a necessity.

So if everyone was trying to make their cars look more like the M3, Neil decided he was going to make his look less like one. Cue the AC Schnitzer route. It started with small bits first; the rear was de-badged along with the side trims, and the moulding badges replaced with ACS items. Then came the mirrors, side skirts, more badges and a diffuser.

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“I got the badges, skirts and diffuser pieces from BMW Rossiters in the UK, but got the mirrors directly from AC Schnitzer Germany. They were the last of their existing stock if I remember,” Neil says.

Although not pictured, Neil initially went for AC Schnitzer Type 2 Monoblock wheels for a stopgap until the correct set of splits came up for sale. Paired with Eibach coilovers, the car looked well-rounded and (almost) complete, with an aggressive stance and distinctive look. But before Neil could get too accustomed to the style, the perfect splits inevitably turned up – a unicorn set of ACS Type 1 Rennsports. Bear with me a moment whilst I nerd out on wheels, because the 18-inch Type 1 Racing is a very special item.

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The 18-inch Type 1 was only available as a face-mounted wheel, and was manufactured by OZ Racing. As such they use a 40-hole design, which was used by OZ for all of their 18- and 19-inch wheels of the era. They are rarer than their successor, the Type 2, and arguably more desirable in 18-inch spec.

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Those wheels hold a fairly special place in Neil’s collection, and not just because of their rarity. Back then, PayPal wasn’t really an option for sending large sums of money to people – not unless they were princes from Nigeria. A physical trip to your bank was the main option, and while withdrawing the money Neil was asked what he was buying with it. That cashier turned out to be Ricky Sadasivan – AKA Big Rick – who at the time had a well-known Techno Violet E36 Cab of his own. Neil may have left Barclays with a lighter pocket, but he managed to make a friend in the process.

Fast-forward a few more years, and it was getting to the point where Neil felt the E36 should be ‘retired’ from daily duties to really allow it to progress. So in 2012, he opted to buy an E46 M3 instead. Finished in Estoril Blue to match the E36, the newer M3 boasted a Champagne interior (rather than Silver Grey) which Neil fell in love with immediately. I don’t blame him; the light cream contrasts incredibly well against the blue paint.

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The BMW stayed this way for a few more years until 2015, when a new suspension setup that could really bump it up a notch caught Neil’s eye – Air Lift Performance. Switching over to air would allow Neil to keep his E36 usable on rough and bumpy roads, while being able to give it a killer stance at the push of a button. Drive low, park even lower.

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More impressively, Neil did all the work himself – from dismantling the previous audio build to constructing the new air setup. It took him a few weekends to run the air lines and switch over to Air Lift Performance struts, but it genuinely was a do-it-yourself purchase.

With the car now sitting perfectly, Neil’s mind was being clouded in a haze of Champagne interior. Just as he was getting close to being finished – again – he decided Silver Grey was no longer the colour for him. Fire up another re-trim…

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Never one to do things by halves, Neil did more than simply swap out the leather. The Vaders had gone and been replaced by a pair of super-rare Recaro A8s. Personally, I’m a huge sucker for A8s; they are without a doubt one of my top three bucket seats, fixed back or not.

One of my favourite details about the car are the seat backs. In dark light they appear black, but they are in fact BMW Carbon Black Metallic, so in the light you get an incredible blue pearl which matches the paintwork, yet it’s not evident when first seeing the interior. It’s funny how one of the most frustrating BMW exterior colours works so well inside the car.

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Neil’s next change was the wheels, the set of BBS RSs currently fitted. He’d bought them from Budapest earlier on in the car’s life, but never had a reason to build them with the AC Schnitzer wheels being on the M3. Keen for a change given the other work happening, Neil refinished them with brushed faces along with gold hardware and hex nuts. Every detail really does matter to Neil.

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Back in 2005, a couple of years after purchase, Neil decided the M3 could do with a little freshen up and as a result had the front end painted. At the time this wasn’t an issue, but it always stood out as being slightly better than the rest of the Estoril Blue paintwork. Not willing to shell out more money on paint, Neil decided to embark on a full detail of the E36 to get it back up to scratch. What’s the worst that could happen?

“I bought a rotary polisher and decided to have a go myself, but I wanted to wet-sand the paint too…”

Inevitably, within about 30-seconds of starting, Neil managed to burn straight through the paint on the top of the rear three-quarter panel. Brilliant.

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No one he contacted was willing to do a smart repair on that section, so he took the car back to the painter he’d used previously. The M3 was painted from the doors back to match the nose. Except that it didn’t match the nose. So the car went back in to be resprayed again to match the rear. Thankfully for his bank account, the paint finally matched all around the car.

However, Neil wasn’t really that happy with the paint finish after all this work. Which resulted in a further decade spent (slowly) repainting sections all around the car as he found flaws along the way. No sooner had he fixed one issue, another popped up.

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By 2019, things had peaked. Having been accepted for an indoor show called FittedUK, Neil was concerned about the paint under fluorescent lights. He decided that the only way to have the car looking acceptable would be a complete respray, so that’s exactly what he did.

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I asked him why he put so much effort into the car over nearly two decades. Especially into details such as paint matching and trimming under the dash – things that the majority of people would never notice. “The more you look, the more you’ll see. You’ve got to keep looking,” he replied.

I can’t think of a better phrase that sums up Neil’s approach to his M3 over the years. If you ensure the details are looked after, the rest of the build will follow.

Mario Christou
Instagram: mcwpn

Photos by Saj Selva
Instagram: sajselva

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Editorial Director:
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Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Concept Artist:
Khyzyl Saleem
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Simon Woolley, Naveed Yousufzai


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Mini Truckin’ Lives On: A Drift-Spec Nissan Hardbody

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Mini Truckin’ Lives On: A Drift-Spec Nissan Hardbody – Speedhunters



Mini Truckin’ Lives On: A Drift-Spec Nissan Hardbody

Are there any ice hockey fans among us? If so, then the term ‘sucker’ pass is probably somewhat familiar. A sucker is a pass that puts the receiver in high risk of being checked off the puck, rather violently, upon receipt. The passer doesn’t intentionally wish harm toward the recipient of course; the pass simply becomes a sucker pass as a result of the play changing quickly in the opposing team’s favor.

When Kerion sent through a folder full of the various vehicles he shot during his recent trip to Ocean City, I couldn’t help but feel, at least slightly, that he sent me a sucker pass. At this point, some of you are confused, fed up, and even somewhat angry with our ‘not H2Oi 2020‘ coverage, so you might be wondering why Speedhunters continues to send anyone to Maryland for this ‘event’ at all.

Vehicles like this are why.

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The variety of vehicles tucked in the alleys of Ocean City in early October are hard to rival, practically anywhere. Despite what it may look like from the outside, and amidst all the tickets, walking bananas, misguided youth and pandering for Instagram likes, the H2Oi weekend can still be a place where like automotive minds are able to converge relatively unbothered.

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So, if you can, put aside your situational bias and enjoy the first of many treasures Keiron dredged up on his latest trip to the city called Ocean.

How Cool Could That Be?

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It’s a bit funny how many builds start from the simple thought: ‘How cool could that be?’. Chris Miller said that to a friend about a passing Nissan Hardbody truck shortly after he sent the motor of his Mazda 6 to an early grave.

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In stock form the Nissan D21 Hardbody truck was right up there with the Mazda B2200 and Toyota Tacoma as a competitor to Ford’s Ranger and Chevrolet’s S-truck offerings. During the heyday of mini truckin’ it was an extremely popular platform to customize with small, wide wheels and a hefty drop.

But in 2020 we’re a long way removed from mini truckin’s peak, and about eight years from the last time a proper mini (single cab, short bed) truck was released in North America.

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As I mentioned, a wide variety of slammed Hardbodies have been built across the globe, but a much smaller percentage have made their way onto the track. Fewer still have been properly built to go sideways.

Chris’s inspiration for his Hardbody came from an appreciation for the factory styling, coupled with the peer pressure of friends who found themselves getting further and further involved in drifting.

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While not a traditional drifting platform, thinking of a Hardbody sliding through corners flanked by a pair of S-chassis had Chris wondering how cool it would be.

Ground Work

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Making a truck work well as a drift/street vehicle isn’t a task for the faint of heart. A simple coil spring, shock and spindle swap, coupled with lowering blocks and de-arched leafs in the rear wouldn’t do the trick.

Chris can attest to this – he tried.

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After attempting to live with the horrendous axle wrap that came with a traditional mini truck-style drop, he was forced to get creative. The rear suspension is now four-linked, using a universal kit originally designed for air bags.

The provisions for bags were cut off and replaced with coilover brackets, resulting in a true coilover setup for the rear. All of the aforementioned is now covered with a Rohde Fabrication bead-rolled notch cover.

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To assist with vehicle balance, Chris has placed the new fuel cell considerably further rearward than the factory tank.

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To match the rear, the front end was brought down on QA1 coilovers fitted with Swift springs. The steering knuckles have been shortened, and the lower control arms extended to allow for an overall suspension geometry that is better suited for drifting. Read: more angle.

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Behind Work Meister wheels a Nissan 300ZX has given up its brakes both front and rear, and that includes the additional hydraulic OEM 300ZX caliper-based handbrake.

Poppin’ In the Hood

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If you were wondering whether this truck has some extra ponies to back up its looks, it most certainly does. Nissan D21s share the same block as KA24-powered Nissan Silvias, but they differ in regards to intake and exhaust manifold setup. Using the truck parts in a turbo application would have been a right pain, so Chris instead used an S13 manifold to handle the intake side of the equation and a Rev9 cast manifold for the exhaust side. Mounted to the log-style manifold is a polished CX Racing T35R turbo.

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The necessary fueling requirements are provided by a Walbro 255lph pump and regulated by an Aeromotive fuel pressure regulator.

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Inside the block are Wiseco 8:1 forged pistons, a Brian Crower cam, and Eagle rods. A freshly rebuilt OEM head is bolted to the balanced short block via ARP head studs, while a Megasquirt standalone ECU tells the motor setup what to do and when to do it.

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Out back, a subtle turn-down pipe terminates the 3-inch v-band exhaust system from the turbo back.

To get the tires turning, a refreshed stock transmission kicks power to a welded stock differential.

Of Course It Looks Good Too

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The truck has seen a few visual revisions in Chris’s ownership, but its latest cleanly blends ’80s-inspired graphics with ’90s-inspired drift styling.

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Grey Avery vinyl covers the entire truck, including the widened front fenders and rear bedsides. The quality of the vehicle’s new finish works as a rolling promotional item for Chris’s own shop, CJ Motoring.

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The bumpers are from a Toyota and all of the LED lighting – including the clear tail lights, which are completely awesome – are also from CJ. The lighting package includes under-glow, because at this point, why wouldn’t it?

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Inside, the interior is reminiscent of most tracked street cars with all creature comforts like carpet, sound deadening, and a radio retained. Corbeau buckets are affixed to the floor with Planted seat brackets, and a horizontal bar runs behind the seats to provide a safe anchor point for the Sparco harnesses.

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A Grip Royal steering wheel replaces the large factory item, and the handbrake is a Twisted Images 6060 aluminum unit built for Wilwood master cylinders. The shift knob comes from We Are Likewise, while the gauge pod was handmade by Chris himself.

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In its current form the truck has proven quite sorted at events, and it’s still quite capable on the street too.

While Chris did do much of the work to this truck with his own two hands, he’d like to shout out Beebani Customs, Alchemy Stdio 320, Rhode Fabrication, RZT Performance and Bavwerkshop for contributing with parts and wrench time when needed.

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To bring things full circle with the intro, had Keiron not waded through the turbulent waves of Oceans City this year, then we’d likely never had the chance to feature this fine piece of automotive creativity. As a fan of both trucks and drifting I feel that would have been a shame.

How about you?

Dave Thomas
Instagram: stanceiseverythingcom

Photos by Keiron Berndt
Instagram: keiron_berndt

Cutting Room Floor

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Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
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Technical Editor: Ryan Stewart
Concept Artist:
Khyzyl Saleem
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Simon Woolley, Naveed Yousufzai


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