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SH Garage: Gone To The Rallye

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SH Garage: Gone To The Rallye

‘Not Great’ Planning ModeThe best part of an adventure is the planning, right? Yes, and no. The best part of the adventure to me is just saying ‘yes’ to things and doing it. Sometimes it all goes off without a hitch; other times you’re seeing the back of a recovery truck. But hey, it’s all part of it.

While many of the other Speedhunters are incredibly organised people (looking right at Paddy McGrath), I’m just a little… looser.

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Sure, to get to events, and especially a pretty strictly-scheduled rally, does take a degree of planning, but I can quite happily leave a lot of stuff to the very last minute, or even worse, to chance.

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My process is simple: I see an event; I spend about 15 minutes online checking out how feasible it is to get there; I get a hotel booked with free cancellation (and no prepayment for absolute minimum commitment); and then forget all about until it’s pretty much time to go.

Case in point: The 2021 Roger Albert Clark (RAC) Rally.

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It was the start of May when I decided that the RAC was a possibility, a full six months before the event. When did I book vital things like a ferry or even decide what car I’d drive for the week-long odyssey? I can hear Paddy wincing, but a whole three days before. Booked on Sunday afternoon, travel on Wednesday morning.

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Normally I’d have to decide which car to take, but my hand was forced this time after I sold my Hyundai i30N a few days before the event.

The Hyundai was an amazing car and I enjoyed every single one of the 21,000km we spent together, but I was paying a pretty sizeable chunk of cash every month for the privilege. While trying to simultaneously save for a house deposit, something had to give.

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Hyundai gone, attention turned to my somewhat neglected 106 Rallye.

The little Peugeot and I had been pretty distant for a few months. A busy work schedule meant it was nearly three months since I’d sat behind its wheel, but the time had not been wasted. It got a run to Rallye Omologato 2 in the hands of Maurice Malone, and then went in for some mechanical work. Owning an older performance car – with 103bhp I’m clinging to that title – requires continuous preventative maintenance, but little updates also make life easier.

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Jumping back in, it felt like we hadn’t been apart. My feet immediately reset to the incredibly offset pedal locations, the deft throw of gearshift no more than muscle memory, and the familiar urgency of the rev-happy lump upfront had turbo boost instantly expelled from my mind.

There was one issue though – the 106’s NCT (National Car Test) cert had lapsed.

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Being legal was somewhat important given I had a lot of driving ahead of me, but looking into online bookings, the wait time for this annual road worthiness test – similar to the UK’s MOT, Japan’s shaken or Germany’s TUV – was six weeks.

In an amazing twist of fate though, a cancellation appeared for Tuesday morning, a mere 14 hours before I was due to leave on a ferry. This was last minute to the extreme, but I had faith in the little Rallye. After a somewhat tense 40-minute outside the test centre, it emerged with a ‘thumbs up’ from the tester and a new cert sitting on the passenger seat. Happy days.

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Home from work and everything needed packed into the boot, the back seat and footwells of the little Peugeot, I had enough time for about four hours of rest, although that was mostly spent thinking about what I’d forgotten.

My alarm went off at 1:15am and I was on the road 15 minutes later, albeit with the 106’s engine running at a higher-than-normal idle.

From home to the ferry in Belfast took just over four hours, the only talking point being an incredibly thick blanket of fog for the first 90 minutes. Prior to crossing over into Northern Ireland was a chance to fill the Peugeot’s fuel tank and grab some pancakes for breakfast.

Dashboard dining at five in the morning isn’t all that flash, but it sure hit the spot.

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I arrived at the ferry terminal with plenty of time to spare, which isn’t something I do often. Blanket? Check. Netflix? Check. For a man who forgot to put a spare wheel in the car, I had my priorities in the right place.

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Driving onto a ferry is always a rather fun experience, and while I might not have all the ro-ro facts like Ben and Ryan did with their recent trip to Ireland for 86 Fest, I can tell you that Stena Line to Cairnryan do serve a very fine breakfast and have a very comfy lounge.

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I arrived in Scotland to weather that had turned. Rain and cold – for my first ever time in the country, it felt apt. I don’t think I’d have liked it any other way to be honest.

Thankfully, it was nicer a few days later when border-hopping again to grab that all-important ‘car in front of country sign’ photograph.

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The one thing I wasn’t expecting was the incredible filth spraying off the near constant line of HGVs as I made my two-hour trip east towards the English border and onto Carlisle. By the time I stopped for fuel outside Gretna, the poor 106 was properly blackened, but deep down I thought it just looked proper.

I’ve said it before, but the Rallye is a car that looks equally great whether it’s polished or filthy.

The real MVP on day one was my Sennheiser headphones and a stack of downloaded podcasts. Throughout the week, this pairing was called upon during long drives, although occasionally there was time for some period correct ‘dodgy’ music. Because as great as the diminutive Peugeot is, cruising alone at motorway speed (which equates to almost 5,000rpm) can get a bit wearisome, although the deceptively-comfortable seating position really helps.

I made it to the RAC scrutineering, took and few pictures and collected my media accreditation – so far, so good. After dropping my bags to the hotel, I grabbed a bit of lunch and the headed back to the rally base for some more snaps. Again, no problems.

It felt like nothing could go wrong. Until it did.

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Heading home, the Peugeot lost all battery power and ended up stranded in a dark lane. It didn’t take long to diagnose the problem – an empty space where the alternator belt should have been. Clearly it’d had enough and exited somewhere along the road.

It was the first night of my week-long adventure and my 106 was already on the back of a recovery truck. Thankfully, I’d signed up to the AA Breakdown service before leaving, so maybe I was prepared after all.

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The next morning, with a fresh battery from an absolute legend of a roadside tech named Rob – a fellow rally man – we got the 106 to a nearby parts supplier. £5.20 for a new belt, fitted right there outside the door by Rob, and I was good to go.

A little over an hour after the 106 came off the axle stand I was parked in a forest in Kielder.

Rally Mode

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Over the next few days, the routine went like this: Get back to the hotel, throw the rally map out on the bed and figure out where the entrance to any given special stage was. Once pinpointed, I’d throw it into the phone and save it, then memorise the first car due time and work from there. Adding time for travel and a need to get there early to avoid too much of a walk (I know how precious that sounds, but remember I’d be laden down with cameras and gear), I’d end up with a rough estimate of my wake-up time for the next morning. It always seemed to be 6:30am.

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Arriving earlier on a stage allowed me to take a walk around and get an idea of good shooting locations, and just enjoy the peace and quiet of a forest in the early morning sunshine ahead of a frantic day.

It was also a chance to get in and set up things like remote flashes ahead of the first competing cars.

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The Rallye also doubled as a mobile office for the week. Stage shot, I’d grab my laptop and download my images. This is handy to keep memory card space free on the cameras, but also to get a few images quickly edited for social media. Although, the second part was a rather fruitless exercise given I barely had any mobile reception out on the rally route.

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As the days past, I only grew fonder of my 106. Laden with soggy jackets and muddy boots, it climbed hill after gravelly hill through the woods to the stage-side car parks – generally openings on wider off-road tracks that were often icy. Most of the vehicles were vans and SUVs, but a few hardy souls followed the ‘not in its natural environment’ approach.

From that first night blip, the Peugeot never missed a beat. Even the high idle rectified itself quite early on, a sure sign that the 1,300cc 8V just needed driving.

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As you may know from my RAC story, weather-wise, Friday evening was downright terrifying. I tend to sit low and reasonably far from the wheel of a car, but on this occasion I was nearly bolt upright, seat slid forward with two rather white-knuckled hands gripping the steering wheel.

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Storm Arwen had struck, and having left the final stage of the day amidst a snow blizzard, I’ll never forget the drive back to Carlisle. Pitch black, the admittedly poor lights of the 106 were no match for the oncoming deluge of snow. Reduced to dipped beams and at times park lights, the road became an invisible labyrinth of standing water and was only defined by the white lines visible in places. Every few miles there was a tree or debris to swerve around, one hazard in particular appearing quite suddenly on the outside of a crested corner.

It took two gruelling hours to get back to the hotel when Google Maps had advised 53 minutes.

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Stages were cancelled the following day, providing an opportunity to do some unplanned exploring. I’d seen pictures of the Lake District and it looked like perfect 106 Rallye territory, so I grabbed a coffee and headed 90 minutes north.

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Cockermouth to Keswick via the Honister Pass is one of the most spectacular drives I’ve ever done, helped in part by a lack of traffic on this crisp winter afternoon. The fabled allure of the great British B-road was living up to its stature, and mile after mile the 106 sang to its heart’s content. Naturally though, I had to add some spice to the situation.

When I’d seen the Lake District in pictures, it was launch photos of the 2017 Ford Fiesta WRC on the Honister. What I hadn’t done was research, and didn’t know it was both extremely steep, reaching 1,167ft at a 1-in-4 gradient, and extremely prone to ice. So, yes, it was mega, except for the terrifying descent. If I had crashed, at least the scenery was nice.

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As the Roger Albert Clark rally headed south to Wales, so did I. This drive from Carlisle to Snowdonia was the second longest stint of the trip, but the 106 ate it up. Sure, it may be tiny amongst modern traffic and a wee bit unrefined, but it’s fun. There are no modern frills, but that allows a chance to think, to plan and to take in the sights of the road.

Making a quick fuel stop with 106 miles to go was most definitely not planned.

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One thing I’ve come to learn about the Rallye is that it’s a welcoming car. People pass compliment, take pictures and want to chat, in a way perhaps I wouldn’t have got with the Hyundai or something modern. During a stop to take photos on the way to Dyfnant, a group of off-roading Land Rovers pulled in, and within minutes we were all chatting and checking out each other’s vehicles.

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The last few days in Wales were flat out. There were early mornings, late evenings and plenty of miles in between, but ultimately, I knew there was a ferry leaving Fishgaurd at 1:00pm on Monday that I intended to be on. That gave me a pretty firm cut off of 10:00am leaving Walters Arena, yet here I was at 10.15am admiring my little Rallye. Welsh mud, rolling hills and a dirty Peugeot 106 isn’t everyone’s dream view, but it is mine.

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The drive to the ferry was frantic as expected, and I arrived with a whole six minutes to spare. Boarded and settled in the lounge, it felt great that the Rallye and I had made it to the end, even if another three hours lay ahead from Rosslare to home.

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When you ask what some of us are doing with our SH Garage cars, well, I’m mainly just driving mine. The Rallye is outside the window as I speak, and I now feel torn about whether to put it into winter storage or not. Over six days, across five countries and clocking up 2,450km (1,520mi), we both had an adventure of a lifetime.

Cian Donnellan
Instagram: Ciandon
Facebook: CianDonPhotography

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Burn Your Rulebook: Meet The Half11

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Burn Your Rulebook: Meet The Half11 – Speedhunters



Burn Your Rulebook: Meet The Half11

Given our track record, it’s probably a little hard to believe that Keiron and I don’t intentionally seek out projects that provoke knee-jerk reactions. However, I promise you there is no ‘trigger’ pay packet bonus here at Speedhunters. If there was, both of our projects would probably be further along.

While I’m being honest, as much I’m becoming accustom to expecting the unexpected with Keiron’s photoshoots, his curve balls seem to be getting wilder with each pitch. Seeing an eyeless Porsche staring back at me from within this photoset, ‘Here we go again…’ was about all I could say before getting down to business.

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Considering the photos breaking up these paragraphs, I’ll grant you skepticism regarding our unintentional, yet continuous sparking of powder kegs. Kyle’s Mustang, Live To Offend’s E30 and Mike’s K-powered Ferrari – these are all builds that have veered from paths previously considered acceptable.

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The appropriately-named ‘Half11′ is no less of a departure from roads well-travelled. A Porsche 911 carved up more than a festive Turkey might seem like sacrilege for social media’s sake, but this car is actually a homage to motorsport of the 1960s and ’70s – an era its designers view as one of the most romantic.

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To better explain how and why this car is a homage rather than a desecration, I first need to better introduce the parties involved.

Oil-Filled Pens

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Oil Stain Lab is the creative umbrella under which twin brothers Iliya and Nikita Bridan operate. The Ukrainian-born, Canadian-raised and Italian-educated siblings have found home in California. Neither brother grew up with a wrench in their hand, a point worth noting before proceeding with this article. The Half11 project is as much a design experiment as it is a real-world vehicle.

“We (mostly) drew cars and dinosaurs as kids… it’s much easier to design cars as profession than it is dinosaurs,” Nikita explained, before quickly adding “unless you work for a film studio”.

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After formal education, both Iliya and Nikita went through several rounds of on-the-job training. Individually, they have built names for themselves by being incredibly methodical with their design approach. Typically working for companies with at least a tangential connection to cars, they are as capable designing quarter panels as they are advertising panels.

In a designer’s 9-5 (rarely does such a thing exist) they are challenged to deliver clients’ needs, even when those needs are radically unclear.

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Client work has made Iliya and Nikita’s skin incredibly thick when it comes to criticism. So, comparatively any negative feedback the Half11 has received online has simply been regarded as par for the course.

Both are thankful that their day jobs keep them very busy. The fruits of their labor have also allowed them the resources necessary to play with cars in their limited ‘down’ time.

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That time between client emails and personal commitments is where Oil Stain Lab was born. It has always existed to be an escape, and as a result there’s never been a reason to compromise or play things safe.

Therefore, a 911 with an F1 car shoved up its rear end seems like a perfectly reasonable idea.

Crass aside, before we get to the nuts and bolts, I feel it worthwhile to mention again that this is a fun project for the Bridan brothers.

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Their tongue and cheek approach to the build as a whole is evident via the IKEA-themed ad above. Could you imagine an IKEA-produced car? Hopefully they’d add a bit more length to those damn Allen wrenches.

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Oil Stain Lab has extended their imagination to a robust ‘alternate history’ of the Half11’s conception too.

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“The ‘alternate history’ images have actually upset people the most,” Nikita explained. Simply put, some self-proclaimed Porsche ‘experts’ have become wildly upset to learn this car never raced historically, nor was it ever experimented with in secret, despite images that suggest it may have.

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I have not waded through all the comments on Oil Stain Lab’s social media accounts, but one can only imagine the confusion among Porsche enthusiasts when they realize they’ve been subject to a deep fake. It’s one of the more clever ways I’ve seen a company build project buzz in some time.

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For the Bridans, rooting their project in the aesthetic of the 1960s and 1970s has really helped ground it. “Racing in the ’60s and ’70s was the peak era for many enthusiasts,” said Nikita as he described his passion for motorsport designs of that time period.

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As someone that’s never been much more than a casual motorsports fan, I must agree with Nikita’s assessment. That era is particularly enticing simply because it’s so stripped down. The raw pursuit of speed and comparatively rudimentary understanding of vehicle design and aerodynamics led to some of the most creative and celebrated vehicles in motorsport history. Adding to that, these cars were piloted by true gladiators with unique personalities.

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From a purely fandom perspective, it then makes perfect sense that a model of a Tyrrell P34 wheel sits in the studio.

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It also makes sense that a six-wheeled version of the Half11 also exists within Oil Stain Lab’s alternate timeline.

That’s Cool, But Is The Half11?

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The Half11 is the progression of what the Bridans call a small collection of hot-rodded 911s. Having done your typical purist – and a few non-purist – modifications, they wanted to make a drastic departure from ‘standard Porsche’.

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A car that simply looked different wouldn’t be enough, however. It had to be uniquely engineered as well.

Naturally, the project was approached in a way that mirrored Iliya and Nikita’s professional endeavors. With design language rapidly developing thanks to their alternate history, sketches hit the table at a fever pace. During this process, the brothers occupied both ends of the boardroom table, as the clients and also as the agency.

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When I asked if the pair learned to fabricate as part of the Half11 process, Nikita explained that despite having an extensive interest in automobiles, their hands-on experience started rather late. “I didn’t learn to drive stick until 25, and hadn’t done an oil change until about then either. So no, we didn’t do the heavy fabrication.”

Joe Scarbo from Scarbo Performance took the brothers’ original drawings and turned them into functional designs using SolidWorks software. From there, Joe got to work creating the chassis in DOM tubing and the suspension components in heat-treated 4130 chromoly.

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Joe is one of a handful of wonderfully talented people that have been roped into this car’s construction. During the design process, he ensured the chassis would work as people would both expect and demand it to. In particular, keeping the car to the overall height the design called for has proven quite the challenge. As a point of reference, the dash has been lowered roughly 2.25-inches from where it originally sat in the 911.

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The goal all said and done, is a vehicle that is about the height of a Ford GT40. In person, the Half11 has a huge presence, despite actually being rather small.

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Driveline angles become problematic the more you squish a car and Joe spent considerable time in this area making it all work.

A lot of care went into reworking and redeveloping ideas without changing the overall aesthetic. Today, the engine sits as low as it physically can while retaining drivability.

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On the topic of engines, yes, that is indeed a Chevrolet JMS Racing LS-based V8 mated to a GT2 996 gearbox. Is a pushrod V8 the most creative power plant? Perhaps not, but with so many irons on the fire, shoehorning in a German-built V8 or a turbo air-cooled motor is something that can come later.

The de-stroked V8, complete with ITBs and a wild exhaust, should still sound pretty exotic from deep within the back of this car.

‘Inspired By’

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Joining Joe in the hands-on department is metal fabricator Jake Krotje. Jake, or ‘The Flying Dutchman’ as he’s often known, is the metal madman that constructed the ‘911’ out of aluminum. This project did start with a VIN-equipped chassis (this will aid in street registration later), but very little of that core remains today.

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Similar to Singer creations and builds of similar nature, this Half11 can be viewed as a re-imagination.

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It’s a small wrinkle the brothers have to consider when marketing the project, as they do plan on producing them as a boutique vehicle. With a company motto that reads ‘We Live For Creating Dreams’ it only makes sense they start with their own.

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But, let’s not put carts before horses here – there is still a huge amount of work to be done before the Half11 is ready to be manufactured beyond this prototype.

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Much of what you see in the various renders has become reality using modern production methods. The very intricate exhaust for example has been printed with Inconel powder – cutting-edge tech for a vehicle with its roots in the past.

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Since these photos, the Half11 was taken to Riley Stair, another individual whose name is closely associated with a number of outlandish builds. Riley handled the final wiring and plumbing of the car.

What’s Next?

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At this point, the natural question would be what’s next for the project? This is where things get interesting. The car pictured will always belong to the Bridan brothers. It’s a test mule, so it will continue to exist in somewhat of a fluid state.

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Will the production cars, if produced, have the same dampers, wheels and hand-cut slicks? Maybe, maybe not.

The same question can be asked of the engine. Switching to a more exotic powerplant – which is something many have called for – would suit the wild nature of the design, but would also require reworking the back half of the chassis.

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At that point, if things are to be extended, then perhaps the wheel diameter would need to be upsized to handle the new elongated footprint. This plays with the visuals of the final result, so it’s currently low on the list of items to be addressed.

The future is uncertain for most things, and most definitely the Half11.

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By the time you read this, the car will have completed its very first track day at Buttonwillow Raceway Park. Provided all went well and the Half11 doesn’t come back down to the studs, we hope to catch up with it again in the future for an in-depth feature.

Until then, enjoy the madness in the gallery below and follow the build on Oil Stain Lab’s Instagram.

Dave Thomas 
Instagram: stanceiseverythingcom

Photos by Keiron Berndt
Instagram: keiron_berndt

Cutting Room Floor

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Team Speedhunters

Editorial Director:
Brad Lord
Commercial Director: Ben Chandler
Creative Director: Mark Riccioni
Contributing Editor:
Dino Dalle Carbonare
Technical Editor: Ryan Stewart
Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Chaydon Ford, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Brandon Miller, Rick Muda, Yaheem Murph, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai


Aston Martin Nails The SUV

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Aston Martin Nails The SUV – Speedhunters



Aston Martin Nails The SUV

It’s time for another instalment in my slightly unconventional series of luxury SUV drive stories, and following on from my recent Rolls-Royce Cullinan feature we have another submission from the UK.

This time, however, there is definitely a bit more ‘sport’ in it all. A mix of class and performance that Aston Martin does very well.

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To me, Aston Martin has always been amongst the best at mixing an upper-class feel with just the right amount of power, but when the automaker announced it was launching an SUV, there was only one thought that came to mind…

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‘Here we go again… a sports car manufacturer selling out and trying to win over a slice of the lucrative ‘truck’ market.’ Porsche, Lamborghini and Maserati have all done it, and so to will Ferrari and Lotus soon. But really, what’s the harm? Is it wrong?

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Initially, I was a little horrified at the prospect, however, if like Porsche with the Cayenne, Aston Martin’s SUV ends up being so profitable that the company can continue to develop proper sports cars well into the future, well, how could you possibly be against it?

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Then I saw the DBX and my whole outlook changed – and not for the worse. It looked sensational in pictures.

For the first time, I remember thinking here’s an SUV that actually has all the right proportions. Most SUVs have a slightly awkward look about them, but the Aston Martin DBX does not.

Setting The Stage

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This said, I was rather excited when offered an opportunity to drive one for a weekend. And the DBX looked even better in person with its glossy black exterior and gigantic 22-inch wheels. It was truly menacing.

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Exterior design isn’t the only thing that Aston Martin has got so right with the DBX. The way they’ve appointed the interior – which follows recent updates throughout the entire Aston Martin model range – ensured the DBX hit the market with all the features and gadgets you can think of. And given that this thing is priced at the equivalent of US$200K here in Japan, you’d absolutely want it to be fully loaded.

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While it ticks all the spec boxes, the DBX looks and feels like no other SUV out there. That’s not something easily achieved in this segment.

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I had the DBX parked up for 20 minutes or so on Ginza’s main road while I shot these images, and the number of positive comments I overheard from passersby was quite telling. In Tokyo, reactions like kakkoi (read: cool) are not easy to get, and especially so in upmarket Ginza where exotic and luxury cars aren’t really anything out of the ordinary.

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What seals the deal for me is the engine mounted up front – a 545hp ‘hot-vee’ twin-turbo 4.0L V8. We all know that Aston Martin gets its engines from Mercedes-AMG these days, but like in the Vantage that I drove last year, this adds to the experience rather than taking anything away from it. Simply, this is one of the best force-fed production V8s around.

Stick the drive mode into ‘Sport’ and you have an SUV with the soundtrack of an AMG GT that effortlessly machine-guns through its nine gears with immense acceleration from any speed. Despite the DBX’s 2.3-ton heft, it will go from zero to 62mph (100km/h) in 4.5 seconds. Drive it peacefully, and that V8 rumble subsides to a relaxing low-frequency burble.

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Underneath its well-executed proportions, the DBX is built on a bespoke platform that like other Aston Martins is constructed with bonded aluminum panels and extrusions. It’s impressively stiff and remarkably throwable around corners given its heft, and thanks to a 48v anti-roll bar system and active dampers, it stays flat through corners at speed. Like all vehicles of this type, the DBX is equipped with air springs, allowing it to sit at different ride heights depending on which of its five drive modes are selected.

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Like the engine and transmission, the infotainment system comes from Mercedes-Benz too. It’s not a bad thing – something I touched on in the Vantage post – as I’d rather see lower-volume manufacturers like Aston Martin go this route rather than attempting to build their own systems and completely messing it up. It makes total financial sense too, as modern systems are complex and ever-evolving. What’s in the DBX might be one generation behind the current Mercedes system, but it’s better than an antiquated unit that’s glitchy and frustrating to use.

Beauty On Its Side

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If you’re in a position to purchase a high-end SUV, you will be looking for something that checks every box. The DBX would surely come close to doing that.

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Such is the pace of innovation and engineering today, you can turn a vehicle that shouldn’t really perform at this sort of level into a package that does.

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In fact, that might be the very definition of these vehicles. They’re able to be this good thanks to the decades of development that have gone into camouflaging the fact they’re far too big and heavy to actually be sporty.

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The Aston Martin DBX’s party trick is its beautifully proportioned and unique exterior.

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It might not be for everyone in the market for this type of vehicle, but it would probably be the perfect choice if you want something that stands out in the sea of high-end SUVs. The fact that the DBX as of this month is already outselling every other model in the Aston Martin line-up speaks volumes about how right they got the concept.

Stay tuned for my next SUV drive, whatever it may be. Any requests?

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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The (Digital) Evolution Of A Group B Lancia Delta

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The (Digital) Evolution Of A Group B Lancia Delta – Speedhunters



The (Digital) Evolution Of A Group B Lancia Delta

What you are seeing here is a variety of things.

Firstly, it’s Dmitry Mazurkevich’s creative look into a possible second evolution of a Lancia Delta Group B rally car. Secondly, it showcases the amazing power and realism of CGI, and at the same time – the third point here – the immense possibilities that modern computer-aided design unlocks.

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It fills me with joy that we are currently experiencing somewhat of a rebirth in coachwork customs. Aside from the fact that companies like McLaren and Lamborghini have been capitalizing on the practice of re-dressing halo cars into limited edition design studies, it’s the smaller outfits that I’m really talking about here.

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Fittingly, Automobili Amos and their Delta Futurista comes to mind, as does the MAT Stratos and the Kimera EVO37.

It’s because of CAD and CGI that companies like these are able to speed up the R&D and engineering process and then rapid prototype to test out and sign off for final low-volume production. It’s a far cry from the days where a bodywork specialist would take his array of hammers and dollies and an English wheel in order to re-skin a sports car, working on it for nine months or more.

What we are able to do in today’s world, visualize a car virtually and then 3D print it at scale before going to final production, is bringing about a new era of creativity and personalization.

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Which brings us to Dmitry’s digital Delta concept, which he’s finished in two very appropriate colors.

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Dmitry’s idea here was to take the original Delta S4 and Group B idea and mash it up with the ECV1, evolving an evolution of a much-loved Italian high performance hatchback.

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Think: a tube-frame chassis wrapped in a lightweight carbon fiber body powered by a mid-mounted, twin-charged Abarth 233 ATR 18s ‘Triflux’ engine able to rev to 10,000rpm and develop 1,000hp.

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The twin-charge system remains in its original state with pneumatic actuators and release valves. An Haltech ECU and modern sensors manage the complexity of the engine in a more efficient and smoother fashion, while monitoring and logging an amount of parameters that would have been a dream back in the Group B Delta’s era.

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The rear quarter and roof vents supply the engine bay with cool air, while three Behr intercoolers keep the intake charge temperature in check.

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Taking a virtual step back allows you to see and appreciate the layout in its entirety.

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Looking at this rear end shot reminds me of the Ferrari F40 and automatically makes me wonder if Dmitry might look at that car in the same way at some point. I for one would love to see what an evolution of arguably Ferrari’s finest creation could look like.

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I found myself amazed at the realism of the textures; Dmitry’s digital render work really is mind-blowing.

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The large central opening at the rear is both technical and a design feature. It lets hot air out and shows the beauty of custom twin-loop exhaust.

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There’s no dirty air formation beneath the engine thanks to a flat underbody and rear diffuser that channels the airflow away.

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The exterior had to be highly recognizable and refreshed at the same time, and to achieve this balance Dmitry kept the front lights and grill shape stock. Same goes for the profile lines and side-body-to-window proportions, while the arches were widened to fit 295/30 Pirelli tires on 19-inch Fifteen52 wheels. The rear extended diffuser completes the grounded silhouette look with plenty of attention having been paid to aerodynamic features demanded by the engine configuration. 

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The front end was designed around dual radiators and brake cooling ducts, while the space under the hood is additionally ventilated by the fan bar.

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The interior is built around an adjustable dashboard extension and Woodward steering column for optimal driver’s seat ergonomics.

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A conceptual Nvidia AI module running on x2 RTX 2080 GPUs collects real time data and 3D scans of upcoming relief from front sensors to adjust suspension, steering, aero and engine parameters.

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There separate USB ports for transferring logs are located near the passenger seat.

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Even fabric simulation software was used to recreate the look of Kirkey seats fitted with TAKATA Racing harnesses.

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While these digital renders are cool enough, Dmitry also created some animated sequences of the Delta in all its glory and even in action. Hit play above to check it out.

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The digital realm has always resonated with us, and I am sure I’m not the only one who would like to send Dmitry a very long list of cars to work his magic on. I’ll start it off… Ferrari F40 and BNR34 Skyline GT-R please!

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

Digital Art by Dmitry Mazurkevich
Instagram: Dan_Mazurkevich

How To join the IATS program: We have always welcomed readers to contact us with examples of their work and believe that the best Speedhunter is always the person closest to the culture itself, right there on the street or local parking lot. If you think you have what it takes and would like to share your work with us then you should apply to become part of the IAMTHESPEEDHUNTER program. Read how to get involved here.

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Project Rough Meets Project Workshop

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Project Rough Meets Project Workshop – Speedhunters



Project Rough Meets Project Workshop

It was bound to happen, wasn’t it?

As much as I loved being one of the millions of people who call Tokyo home, the desire to expand on my DIY craft and have a suitable place to work on Project Rough, my ER34 Nissan Skyline – without having to either shell out stupid amounts of money for the space or worry about being that crazy gaijin neighbor who is always doing something strange like corner balancing a car in the driveway – was too strong to ignore.

Not once in my entire life have I lived in a rural area, as I’m rather fond of the city life and the perks that come with it. However, in order to have a reasonable amount of space – and dare I even say it, a garage – at an affordable rate in Japan you need to pack up your belongings and move out of the city.

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Way out.

Through an odd fate, my mother-in-law’s friend reached out to us about an abandoned kominka (traditional Japanese house) in a prefecture outside of Tokyo. Although no one had lived in the house for years, the owner had renovated it slightly and periodically checked in to ensure it was in decent enough shape.

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Although the newfound space had me grinning from ear to ear, it was the two extra buildings that came with the kominka that had my wife and I (OK, me mostly) asking where we sign the rent contract.

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Coming from a long line of farmers, the storage areas were filled with generations of tools, all but forgotten.

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This toumi was one of the more fascinating tools I discovered in one of the garages. The farmers would put freshly-harvested rice on top of the machine while cranking the handle, which would in turn rotate giant wooden paddles inside that would de-husk the rice and separate the waste from the grains.

Tucked away behind the little red tractor, I found a large wooden beam called a daikokubashira. The significance of this item is that it was one of the main support beams of the original house – before it was torn down and replaced with the current kominka in which we now live.

Next to the daikokubashira is a staircase that leads up to the attic. I had asked the owner if she knew what was up there, and all she could tell me was that she hadn’t been up the staircase in years and couldn’t make any promises about what might be living there, but encouraged me to have a look all the same. “I’m sure you would find it very interesting.”

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‘Curiosity killed the cat’ they say, but fortunately the only thing that was trying to harm me was the decades’ worth of dust.

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Many traditional Japanese houses have something like this in the rafters. Owners would pray to them to protect the buildings from fires.

At first glance everything seemed to be old farm equipment, but after poking around in some of the boxes and bags I discovered countless porcelain dishes and stacks of old school work, including watercolor paintings depicting World War II scenes.

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So, besides having a miniature museum, what made the two extra storage buildings so exciting to me? Despite the fact that we are currently only renting, the owner has allowed me to use most of the buildings and machines (yes, that even includes the tractor and little Suzuki Carry kei truck) without many limitations.

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Thus, my new master plan is to consolidate most of the old equipment and miscellaneous bits in one area, and turn the space into a miniature workshop.

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A project garage to go along with a project car – it seems like a match made in heaven, no? While I have some ideas in mind to transform the space, I’d love to hear any ideas Speedhunters readers might have. What would you do with the space? Let me know in the comments section below.

Ron Celestine
Instagram: celestinephotography

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Heart & Soul: Two Honda S2000s From Italy

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Heart & Soul: Two Honda S2000s From Italy – Speedhunters



Heart & Soul: Two Honda S2000s From Italy

Nothing Happens By Chance

In Italy it’s easy to find nice food, good wine, astonishing landscapes and art masterpieces. What’s not easy to find are cars like this S2000 pairing; Japanese sports cars are real unicorns on Italian roads.

I’m Ivan, and since I was 16 (four years ago) I’ve been photographing cars. I think every car has a soul, and it’s my mission with automotive photography to bring this emotional energy out every time I use my camera. I could stay here and talk about cars and photography for hours, but let’s focus on the story of these two nicely-tuned Hondas.

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Back in 2018, I met Alessio Cavalletti at the only place you can meet people like him – the race track. It was a Honda day at Autodromo Vallelunga Piero Taruffi (otherwise known as ACI Vallelunga Circuit) in Campagnano di Roma, and Alessio’s Silverstone Metallic S2000 immediately stood out to me.

Alessio liked the photos I took of his car, and since that day we have been in constant contact with each other over social media. Alessio and I live in different regions of Italy, but the Vallelunga race track has always been our meeting point.

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The first time I visited Alessio closer to his home, it was to photograph a track day he had organized at Autodromo dell’Umbria in Magione. It was there that I met Riccardo Mocini, the owner of a Rio Yellow Pearl S2000.

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As I mentioned earlier, cars like these are extremely rare in Italy, so I just had to photograph them together for this story.

Why The S2000?

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Every time I see an interesting car, I always ask myself the same thing: why did the owner decide to buy it over something else? I put that question to both Alessio and Riccardo…

Alessio: “This is a question that, after nine years, I cannot answer precisely. Around the age of 21 or 22, I started looking for a sports car. I wanted something relatively light and not very expensive, and of course it had to be rear-wheel drive. In those years, S2000 prices in Europe were very low, and alternatives to such a technical masterpiece were simply not there.”

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“My search lasted almost a year, then lightning struck – I found one for sale in Milan on the old Italian forum, Honda S2000 Passion. It was a 2004 model in Silverstone Metallic. A few months later, I went with my dad to pick it up; I can still vividly remember the whole journey back home.”

“Initially the mods were light, then I made two big mistakes: The first was to put the car on the track; the second was to start visiting Japan where I frequented time attack events.”

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Riccardo: “After some experiences with other sports cars and modifying, in 2017 I found an S2000 for sale. It was dirty and in poor condition. Owning an S2000 had never been my dream – to me they were a nice car but nothing too special – but there was something about this one that attracted me to it.”

“My first thought was to fix it up, leave it naturally aspirated and use it on the track. I promised myself that I wouldn’t spend an arm and a leg on the car, nor swear eternal love to it. As you would have already realized though, I did not keep my promise.”

The Devil Is In The Details

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While these two S2000s share many similarities, they’re actually very different machines. Keeping that in mind, I asked Alessio and Riccardo about their respective journeys to this point…

Alessio: From the beginning, my philosophy has stayed the same. I wanted to make changes that would improve the car’s performance on the track without upsetting everything else. I still wanted to be able to take the car up to the mountains and attack a few corners, and at the same time make it look like the S2000 I had always dreamed of.”

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“Over the years my S2000 has gone through various steps, but has always remained naturally aspirated. Almost all of the work on the car was done with my best friend Paolo under the careful supervision of Alessandro Brusciani from Conte Performance, one of the best Honda tuners in Italy.”

“Since 2017, I’ve raced the car at a number of motorsport events, including Time Attack Italy. Despite my S2000 having a naturally aspirated engine and being quite heavy in comparison to other cars in the same category, I’ve achieved good results at circuits around central Italy.”

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“To be honest though, when I bought the car eight years ago, I never thought I’d be able to get to where I am now with it. I spend every single second of my free time on this project and I’m really proud of what I’ve achieved so far.”

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Riccardo: “I met Alessio in 2018, at which time I had broken my car’s F20C engine twice. It was then that I decided to swap in a K20 engine and adapt a Rotrex supercharger to it. I’m crazy for a for a job well done, and an unquantifiable number of late-night hours went in to making it all work. It would have been a lot easier to use a ready-made swap kit, but the decision was made to buy the bare essentials and to build almost all the custom parts.”

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“With this swap, the reliability has increased, as has the performance with more horsepower and more torque.”

“In line with this, Alessio and I decided that aerodynamic development should also have its part in the story. Initially, we opted for the simple things: a wing and a splitter, but after a lot of testing and more aero I now have an S2000 that’s really balanced, goes fast and is so much fun.”

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“That’s not to say that in the future I won’t chase even more power, because, you know, it’s never enough!”

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These cars exude passion from every bolt; they have a unique charm and tell you how fast they are even when they’re parked up. The commitment and dedication of Alessio and Riccardo is admirable. So much blood, sweat and tears have gone into the two builds, and after years of passion and sacrifice, seeing this petrolhead pair so happy with their creations is good for the heart and soul.

Ivan Caravona
Instagram: ivancaravona

More IAMTHESPEEDHUNTER posts

How To join the IATS program: We have always welcomed readers to contact us with examples of their work and believe that the best Speedhunter is always the person closest to the culture itself, right there on the street or local parking lot. If you think you have what it takes and would like to share your work with us then you should apply to become part of the IAMTHESPEEDHUNTER program. Read how to get involved here.

Alessio Cavalletti’s 2004 Honda S2000 (AP1) 

Engine: Honda F20C, tuned stock intake manifold, 70mm Spoon throttle body, carbon fiber intake, custom lightweight pulleys, Tegiwa header, Berk 74mm header-back exhaust system, Tegiwa aluminum radiator, Setrab oil cooler, AntiG sump baffle, AntiG fuel baffle, Optima battery, Innovative 75A billet engine mounts, AEM Electronics Series 2 engine management system tuned by Alessandro Brusciani/Conte Performance

Driveline: Factory 6-speed gearbox, Exedy Racing Stage 1 organic race clutch kit, Competition Clutch 3.9kg flywheel, HEL stainless steel clutch lines, Car Garage Amis shifter bushing, Innovative 75A billet gearbox mounts, Carbonetics 1.5-way LSD, 4.44 final drive, J’s Racing differential collar, Innovative 75A billet differential mounts, Blox driveshaft spacers

Suspension/Brakes: Tein Mono Flex coilovers with 10kg/mm springs front/rear, J’s Racing front roll center adjusters, Energy Suspension bushing kit, Blox steering box spacers, Wilwood Superlite 4-pot front calipers & 330mm rotors, Ferodo Dsuno front pads, Honed front brake cooling air guide kit, factory rear calipers, Ballade Sports 330mm rear rotors, Carbonetics carbon rear pads, DLE brake stopper

Wheels/Tires: Track – Enkei RPF1 17×9-inch +22 offset, Yokohama Advan A052 245/40R17, Street – JR5 17×9.5-inch +25 offset, Toyo Proxes R1R 255/40R17

Exterior: Voltex Street carbon front bumper, Group A Motoring carbon canards, Fiberworxx FRP front fenders with side & upper vents, SixthCarbon rear overfenders, SixthCarbon carbon side skirts, SixthCarbon FRP rear duckbill spoiler, 1,600mm carbon wing with 275mm custom stays, APR GT3 carbon mirrors, SixthCarbon carbon hardtop, Alex Novi front tow hook, custom rear tow hook, custom Silverstone Metallic respray

Interior: AG Works 4-point roll bar, Corbeau Clubsport seats, Buddyclub seat rails, Sabelt 4-point harness belts, Personal 330mm Neo Grinta suede steering wheel, NRG Innovations short hub adapter & quick release, custom shift knob, AEM Wideband 02 gauge, Depo oil pressure & temperature gauges, Broadway 380mm rear-view mirror, Modifry Yellow Box Speedometer Corrector

Riccardo Mocini’s 2000 Honda S2000 (AP1)

Engine: Honda K20Z4, Toda K20 chain tensioner, F20C intake manifold with 2NRS K20 adaptor plate, 70mm throttle body, Rotrex C30-94 supercharger with custom mount, GReddy Type-RS pop-off valve, custom front-mount intercooler, Bosch 1,000cc injectors, Denso 340lph fuel pump, Skunk2 MAP sensor, DC Sports F20C exhaust manifold with 2NRS K20 adaptor plate, Toda Racing dual header-back exhaust system, custom Accusump, custom radiator with SPAL fan, Tomei oil cooler, K20A2 oil pump & sump, Skunk2 x Tractuff oil sump baffle kit, 2NRS K20 kit with Hasport billet engine mounts, Doctronic tuned by Alessandro Brusciani/Conte Performance

Driveline: Factory 6-speed gearbox, 6-puck clutch, Quarter Master flywheel, Hasport gearbox mounts, 4.44 final drive, Hasport differential mounts

Suspension/Brakes: Tein Mono Sport coilovers with 12kg/mm front & 10kg/mm rear springs, Hardrace front roll center adjusters, Powerflex bushing kit, Buddyclub rear roll center adjusters, PB Racing 6-pot front calipers, PB Racing 330mm front rotors, PB Racing front pads, factory S2000 rear calipers, Track Solution 330mm floating rear rotors, Ferodo DS3000 rear pads

Wheels: Team Dynamics Pro Race 17×8-inch +35 offset front, 17×9-inch +45 offset rear

Exterior: Custom bumper with splitter, Fiberworxx FRP front fenders with side vents, molded custom rear steel overfenders, SixthCarbon carbon side skirts, 1,600mm wing, 
SixthCarbon FRP rear duckbill, SixthCarbon carbon hardtop, complete Yellow Rio Pearl respray

Interior: Custom 4-point roll bar
, Bride Low Max seats, custom seat rails, 
Sparco 4-point harness belts, QSP 330mm suede steering wheel, short hub adapter, Skunk2 shift knob, Zeitronix wideband, EGT & boost pressure gauges, 
Depo oil pressure & temperature gauges

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Contributors: Will Beaumont, Keiron Berndt, Jordan Butters, Ron Celestine, Mario Christou, Cian Donnellan, Matthew Everingham, Blake Jones, Stefan Kotze, Vladimir Ljadov, Paddy McGrath, Rick Muda, Sara Ryan, Trevor Yale Ryan, Dave Thomas, Toby Thyer, Simon Woolley, Naveed Yousufzai


A Brake Restoration For Project Nine

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A Brake Restoration For Project Nine

 

Free Time & Fresh Plans

 

Time stops for no man. I’m reminded of this by the inevitable wave of guilt that crashes down around me every single time I start writing and realise just how long it’s been since the last Project Nine update.

But I guess the silver lining of zero updates means that my Mitsubishi Lancer Evolution IX has been behaving, right? This is true; since our last update the car hasn’t skipped a beat. It’s been driven daily, punctuated with a handful of spirited mountain runs to keep me sane, but sadly I’ve not had the time to get out on a track since our last story.

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Oh yeah, and I guess we shouldn’t forget that little Covid situation… So little happened in my life during 2020, that I quite frequently forget it existed at all. My memory must be stored by events and not dates, because I always refer to 2019 as ‘last year’ or a ‘few months ago.’ That’s a great excuse for about 12 months’ worth of silence.

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One positive to come from the enforced downtime was actually having enough spare time on my hands to think seriously about how I’d best like to shape my Evo moving into the future.

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It’s been my faithful accomplice for quite a few years now, so I’ve decided to spend a little more time and effort in 2021 to restore the car’s weaker and more worn components.

For a performance enthusiast, I think the Evolution IX represents the pinnacle of Mitsubishi. There’s no need to rewrite an already solid package. I’m not interested in hitting 12,000 horsepower on the dyno, making it a dedicated track car, or becoming a speedhump-fearer.

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The goal here is to chase an OEM+ look and feel. I’ll be aiming to take advantage of some of the technological advancements over the last 15 years to enhance the already brilliant package Mitsubishi released from the factory.

Brembos, Sweat & Powder

The most sensible place to start our renewed project is to restore what bugged me most about the car. After all, a chain is only as strong as the weakest link, and that link for the Evolution – at least aesthetically speaking – was faded Brembo callipers.

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The original vibrant red was roasted to a flakey brown during some ultra-high temps at Sydney Motorsport Park chasing down a friend’s NSX. For the longest time, I tried to ignore how much they detracted from the vehicle’s overall appearance.

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Scotty Barter, a mate of mine who happens to sell all the good stuff a powder-coater craves, had offered to help restore the poo-coloured Brembos a few times over the last couple of years. A kind gesture and a genuine offer for sure. ‘Yeah yeah, we’ll talk about it later,’ was my usual reply. It’s not that I wasn’t interested, I just know how busy Scotty is running Oxytech, raising a family, helping out other mates’ builds and trying to find time to work on his own project cars.

But eventually, the universe conspired against my faded callipers. I got the call to shoot Scotty’s freshly-finished and very tough ’56 Chevy work truck for Aussie magazine Street Machine. During a chilled night of photography, rum and pizza, it was agreed that I’d finally take up his generous offer and we’d give Project Nine the calliper refresh she deserved. And while the brakes were removed, my tired-looking RAYS Volk Racing CE28Ns would also cop a fresh coat of powder.

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In hindsight, I doubt I would have ever agreed if I had a full understanding of the time and effort involved beforehand. Like most automotive projects, the bulk of the work hides within the preparation – in this case a plethora of tiny tasks that take hours. In comparison, the main tasks of blasting and applying powder were by far the quickest and most fun elements of the restoration.

The Process

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It’s not a difficult task by any means, it’s actually a pretty straightforward job. Nonetheless, I appreciated having Scotty on hand to help out. The experience he brought along after having done dozens of similar restorations made the task as simple and quick as possible.

If you’re considering a similar restoration and not sure where to begin, grab a coffee and get comfortable; Scotty and I documented the entire process. While strictly speaking this isn’t a guide, it should still be detailed enough to be somewhat useful. Even if it’s just for sizing up the scale of the job before choosing to DIY or throw cash at the problem.

OK, let’s get started. Removing the wheels and brakes is straightforward, and frankly, if this is outside of your comfort zone, you should probably be paying to get the job done. Be mindful to place your brake pads in a way that’ll ensure they all go back in the same location and rotor side. Oh, and get yourself a brake line clamp kit to save a lot of mess. Brake fluid is not your friend.

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Before you get carried away splitting your callipers, give them a good inspection and check that you’ve got all the replacement seals and any other ancillary parts that may need to be replaced. Give each calliper a solid inspection for other signs of damage. Callipers are usually bullet-proof, but trust me, you’ll want to find any extra issues at this point and not further into the process.

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If you’ve decided you’ve got what you’ll need to proceed, godspeed and good luck. Loosen those nipples and use compressed air to blow out the seals and pistons through the bleed valve. Follow up by removing the nipples, lines, and seals. You can remove the squealer pads, but you’ll need a Torx bit and some patience. Lastly, and of course the least fun bit, you’ll need to crack the Allen bolts and separate the two calliper halves to prepare for a proper stripping.

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In our case, we’ve used Oxytech’s own Classique Strip AS-3. I blinked with a vacant stare when Scotty told me it’s a methylene chloride-based solution that strips quickly even at ambient temperatures. I smiled politely, but really I was thinking how fancy the word ‘classic’ looks with a slight variation in spelling.

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Each piece was hand rinsed in some fresh water, but instead of leaving them out to dry we had the luxury of baking them in the oven for 20 minutes to help remove any residual stripper.

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While the bare Brembos received a light sandblasting all the external bolts, plates, and bits were lined up for a tidy up using some general thinners and a bit of wire brush action. This was completely optional; I guess it’s up to you how far you take the restoration, but what’s the point in pulling it all apart to stop halfway?

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We took a particular interest in the bolts as we planned on giving their heads a very light colour coat, too.

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Before blasting or sanding, be sure to fill in any gallery entries and cover any factory machined surfaces. Scotty used an #80 mesh aluminium oxide blasted on low pressure.

The beads aren’t too harsh, and in his experience they leave a mint profile. Believe it or not, now we’re finally ready to lay the first coat of powder.

The nerds in here who don’t already know how a powder gun works will find it all more interesting than they’d probably presumed; I know I did. The gun actually strips away a heap of the electrons as it excites the powder before discharging. Remember as a kid rubbing a balloon through your hair to make it stand up? Well, the same principle is what ensures a nice even coat here. The negatively charged particles move and cling to the nearest earth point, which happens to be what you’re trying to coat in perfectly flat powder.

See, way more interesting than you probably thought.

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Scotty shot the first batch and explained the process: distances, motion, quantity. It looked pretty simple.

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But for some reason when it was my turn to let loose I ended up with more powder on me than the callipers. At least it gives you guys and gals a chance to appreciate my amazingly non-traditional colour choice; Dormant Purple.

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You’ll notice the two colours in the oven? The callipers enter the oven purple and exit silver after being baked at 200°C (392°F) for 35 minutes. After cooling a second coat is applied. It’s technically a clear coat, but it reacts with the base coat to create the final deep purple. There’s a time-lapse of the transition in a video I prepared at the end of this post.

Now all that’s left is to break out the new seal kit and repeat the dismantling process in reverse.

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Take your time and be extremely careful when removing the blanks you fitted to protect the machined surface; you’d hate to get this close to the finish line before you screw it up and damage your pristine brakes.

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That’s a lot of instruction for a seal kit. Just make sure you grease up the piston seals and don’t forget about the centre seal that unifies both sides.

My new Brembo heatproof decals were sourced online. I’d purchased a set for my old Evolution VII and they survived years of abuse.

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It’s amazing how a splash of colour can make such a difference. I copped a lot of ‘naysaying’ amongst mates when the bold colour choice was mentioned, not that it matters, but most of them have come around to the idea now.

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To help finalize the transformation, Scotty also sandblasted my tired-looking CE28Ns and gave their lips a quick polish too.

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Purists may scream and hunt me down for blasting away Volk Racing’s iconic anodized bronze finish, but I think Toyota 1G3 Magnetic Grey really suits these wheels.

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The wheels aren’t complete yet – there are still a few little touches to add – but hopefully everything will arrive soon and we can do the full reveal on an upcoming drive day with mates. I’m pretty keen on putting these new Yokohama Advan A052 tyres through their paces, so will report back soon.

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It’s so easy to only focus on modifying the bigger ticket items, so I hope that by seeing the impact this relatively small job has made to the car, it will motivate you to also think smaller and start attacking a few of those easy-to-ignore jobs of your own.

In the meantime, I cut a quick video of the calliper restoration process. I’m fairly new to video, so don’t expect a full-blown production, but I do hope it helps.

Matthew Everingham
Instagram: matthew_everingham
matt@mattheweveringham.com

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Remember That Ferrari F40 In The Snow?

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Remember That Ferrari F40 In The Snow?

December is always a time for reminiscing. 2020 has been such a tough year that it’s almost hard to remember what normal life was like. You know when you could actually go out and do things or even participate and cover events?

Well, in the most optimistic and positive way possible, I’d like to bring you back to one particular shoot that I was on the set of that netted some of the most memorable shots I’ve ever taken. And that’s before we even consider the car at the center of it all.

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It was 2016 when Takeshi Kimura of Car Guy decided he would take his Ferrari F40 on the snow-covered slopes of Nagano, you know, just because. The crazy idea spawned one of the most epic viral car videos to come out of Japan, a Red Bull production put together through a collaboration between Luke Huxham and his team, and the guys from Abandon Visuals in the USA.

Kimura-san had become internet-famous the previous summer when he took his F40 camping along a river. Naturally, he wanted to keep it going, and I believe this is why the idea to strap rally lights onto Enzo Ferrari’s final masterpiece came to be.

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Traction on the ski slopes was going to be tough, but Kimura-san’s team prepped the Ferrari with custom studded snow tires, which of course didn’t work that well. They did find more grip with 335-section snow chains.

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Seeing an F40 dressed up in such a way, with suitcases strapped to the roof no less, was… well let’s just say I haven’t seen anything quite so in the almost five years since. The chance to get up close and personal to what I have always regarded as my favorite car of all time, was special enough, but to see Kimura-san slide it all over the place was an absolute treat.

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In case you forgot, above is the video that came from the crazy few days in Nagano.

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Here’s the man himself, using the back of his F40 as a place to rest in between film takes.

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The visuals that we were presented every day were nothing short of stunning; it was a creator’s dream to be working alongside a production team like this.

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The twin-turbo 2.7L V8 doubled up as an expensive on-site heater, the video crew forced to keep their drone batteries warm and away from the freezing ambient temps. Short battery life of course means reduced flight time and extra stress for nailing the shot.

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If I needed another reason for this shoot to remain so vivid in my memory, it was the fact that my wife gave birth to our twins just days before we all had to drive off to Nagano.

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The craziest part of the shoot was pulling the F40 with a snowcat all the way from the hotel we were staying…

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… to the very top of the mountain.

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That’s where the final scene of the film was captured, and where one sequence included a shot of Kimura-san blasting downhill at 120km/h. To this day I still have no idea how he even managed to slow down and stop!

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The F40 ended up taking quite a beating; the gearbox lost second gear and needed to be rebuilt, and body damage was aplenty thanks to the chains snapping off and inflicting deep scars on the carbon-Kevlar cowls. There was talk of US$100K worth of damage, but Kimura didn’t seem too fazed. He had helped create one of the craziest car films ever made, and given me the chance to shoot images that I will cherish for the rest of my life.

Dino Dalle Carbonare
Instagram: speedhunters_dino
dino@speedhunters.com

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911 Overload At Exciting Porsche Yokohama

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911 Overload At Exciting Porsche Yokohama – Speedhunters



911 Overload At Exciting Porsche Yokohama

It’s been a long time coming. After eight months of living in Japan, I finally managed to get to an event.

Yes, I know, it’s inexcusable, but I do have a few excuses. So, when I saw Kouichi Kakuma’s Instagram post (AKA 911omomuki, AKA that Studio Allica Porsche) touting a huge Porsche event in Yokohama, the tummy turbo began to spool. I cleared my calendar and cleaned my camera gear.

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Sunday came around and I took the Blue Line Metro to Sakuragicho and walked over to the Yokohama Red Brick Warehouses, a favorite destination for romantic dates and fancy coffee. On this particular Sunday however, love birds had been frightened off by the rumble of angry Porsches and the smell of sausages and soy sauce.

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For ‘Exciting Porsche’ the piazza was packed with hundreds of immaculate, beastly and very desirable machines.

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Like a kid in a candy shop, I did a quick reconnaissance to see where the tastiest German delicacies where hiding and proceeded to work my way through as any gluttonous child would.

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The first car that caught my eye was this super-clean RS 3.8 964.

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A very nice silver RAUH-Welt Begriff creation needs no introduction.

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Then there was this very cool 930 Slantnose 930 Turbo with Gemballa Avalanche-style exhaust tips.

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This stripped-out 964 Carrera piqued my interest, not only because of the legendary Mid Night stickers, but on closer inspection the Makita battery attached to the cabin floor. The owner told me it was for powering his phone charger and other gadgets.

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Honorable mention must go to the 930 built for the 1991 movie Wangan Midnight. Since then it’s been heavily modified and looks well used.

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Moving along, there was this forest green 930 with a wide-body by Bodyworks DB.

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Next to the Slantnose was Kakuma-san’s apocalyptic 911. As I was taking photos, I saw him nearby and asked if he could pop the boot to get an engine shot. He graciously obliged and then started telling me about all the carbon bits on the car. I listened with polite interest, but assured him that as a loyal Instagram follower I was pretty up to date with his build.

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Knowing that I was a fan he swung open the passenger side scissor door and told me to get in. No, we weren’t off on a coffee run – he wanted to show me the new side camera wings built by Studio Allica. Pretty impressive stuff, with the cameras turning automatically depending on the direction of the car.

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But the tastiest German sweetie had to be the 1973 3.8 RSR with custom wheels by Tokyo Billet, hand-built ‘Mary tail’, and wide-body also by Bodyworks DB.

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It screamed ‘race car’ and the flecks of molten rubber along its flanks means it not only talks the talk but also walks the walk, briskly, kicked along by a six-throttle-body-equipped engine making a healthy 380hp. You can find a great write-up on this car by Blake – albeit when it looked a little different – here.

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As the sun set, I circled back to get some hero shots of those two 993 GT2s, then walked over to the main road to get some photos of angry Porsches leaving. It took a while for them to hit the road though, and by then the light was well and truly gone.

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As a photographer, I was a bit bummed not to get some sweet panning shots. But now in reflection I smile, because I know the owners were probably just taking their time to politely say their goodbyes to mates and wish each other safe journeys before belting their 911s home in time for dinner.

Toby Thyer
Instagram _tobinsta_
tobythyer.co.uk

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Does A Proper Sports Car Need To Be Manual?

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Does A Proper Sports Car Need To Be Manual? – Speedhunters



Does A Proper Sports Car Need To Be Manual?

To manual or not to manual in a sports car? Is that even a question worth asking?

Over the last couple of decades, many auto manufacturers have decided to make the choice for us, racing to develop the fastest-shifting dual-clutch transmissions. Then ZF hit back with their 8-speed torque converter, which seems to do 90% of what the best DCT gearboxes offer, but at a far lower cost, making them an obvious choice for use in premium vehicles. Through all this, manufacturers like BMW and Porsche have put their customers first with the option of proper manual gearboxes. You can even get them in the M3, M4 and new 992 GT3.

But today it’s another manufacturer that I want to talk about. Up until a few months ago, Aston Martin was a brand that I didn’t really associate with. Sure, I knew they still existed and also acknowledge and respect what they stand for, but there was some disconnect. Why? I don’t think I can even answer that. I’ve ridden in and tried a few Astons in the past, but they’ve never really captured my interest.

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They have certainly always spoken to me with their elegant design, but that’s about it. Once upon a time, I only thought of Astons as cars either for older gentleman, or for masochists who like to drop substantial sums of money into something that they know will have reliability issues.

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But over the last few years I’ve had the chance to meet and spend time with various Aston Martin models.

My fondest memory was borrowing the four-door Rapide for a special feature we worked on. I remember loving the car as much as particularly not loving it. Aston created something fresh and incredibly beautiful in the Rapide, but at the same time so many aspects of it felt frustratingly dated.

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I remember thinking what a pity that was, especially because the car really made you feel special, whether looking at it over your shoulder when you walked away or sat behind the wheel. It just needed that bit extra; a little sprinkle of newness that would allow it to truly shine and feel current.

It’s taken Aston Martin a few more years to get to that point, and for me the 2020 V8 Vantage is a big wake-up call. This year, it’s even offered with a manual transmission option.

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This Aston has truly mesmerized me. The V8 Vantage is a true brute of a car; a hooligan dressed in a finely-tailored tuxedo ready to party at any time, but at the same time able to be a luxury GT that can be easily used every day. The reason behind this is the Mercedes-Benz partnership.

All V8 cars in the Aston Martin range now sport AMG-sourced engines, and integrate previous-generation Mercedes-Benz infotainment setups within their cabins.

The notion of a revered manufacturer dropping its identity for a parts-sharing program won’t sit well with everyone, but I’m of the opinion that it’s worked out rather well for Aston Martin. Hear me out…

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Would it have been better for Aston to evolve its old V8 motor or develop a whole new unit? Sure, an original powerplant would guarantee pedigree and a tangible character that would make it stand out against other V8s, but in the real world, a massive investment is needed for a manufacturer to embark on a new engine project, not to mention the time involved.

Simply, it’s prohibitive for small manufacturers to do this sort of thing now, which is why Aston Martin collaborating with Mercedes-Benz was a very good idea. At least they picked their best V8 to drop into the Vantage, and even if it sounds like any AMG 63-badged Benz out there, who really cares?

If it’s good enough for Pagani, I’m pretty sure it will suit Aston just fine.

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Not one time firing up the 4.0L ‘hot-vee’ twin-turbo V8 did I complain that it sounded like an AMG GT or a G63. No, I smiled, or rather grinned evilly knowing the sheer thrust this motor is able to deliver.

The way it’s presented under the hood is very dramatic too. The entire front cowl lifts up exposing the compact motor nestled deep against the firewall for that true front-midship layout. If I really had to be picky, it could be a tad more curated in this respect. A more pleasantly-designed engine cover and a splash of color to lift some of the details would do wonders. Currently, you can only have this if you opt for the pricey optional carbon fiber pack.

What annoyed me the most was the unequal length and shaped rubber hoses that connect the turbo intakes to the two air boxes. Would symmetry have been so difficult?

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And then, to bring it back around to my intro, there’s the transmission – or rather the choice of two. One is the ZF8 8-speed fast-shifting auto gearbox, as fitted to my test car, and the other a 7-speed manual that is available as an option.

I’m a big fan of traditional manual transmissions, so if the option is there I don’t need to consider anything else. After all, there is nothing that offers that direct link to a car like rowing through an H-pattern ‘box to upshift and downshift to and from whatever gear you feel like.

Out on the road, the Vantage is one of the best cars I have driven in the last couple of years. The interior is a special place, but the performance is what truly shines. This car has an instant bark of torque as soon as you step on it. Play around with it too aggressively before the tires are up to temperature and it’ll slither up the road like a well-prepped and tuned drift car. But even when the rubber is at optimal temp, you still need to be careful unleashing the 503hp on tap.

The handling via active dampers is sharp when you want it to be, but comfortable and refined enough when you just want to cruise. It’s rewarding to drive as it just feels so well-sized; it shrinks around you and there’s plenty of feedback through its controls.

I really have nothing bad to say about the 2020 V8 Vantage – other than that it deserves an even more antisocial-sounding exhaust – and that’s rare.

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Let me show you that cabin, which you access by pivoting out the door handle. This allows the door to smoothly swing open but also rise up vertically in proper Aston Martin fashion.

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This press car is finished in a subtle metallic silver, but there was a far more exciting color inside.

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Small cabins with high belt lines and thus pretty short windows really do need a pop of color to make them feel less claustrophobic, and the orange trim highlights do a good job of that here.

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Well-selected materials are a tactile delight, and you can tell that these cars are still, for the most part, built by hand.

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There is plenty of space in here for two occupants, including ample shoulder room as the Vantage is a pretty wide car.

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Thankfully, Aston has ditched the ugly steering wheels they used a generation back. This is how you expect a modern car to look and feel.

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The main dash instrumentation is all digital, distributed through three specific displays. In the center you have the tachometer, while the side screens giving you a few different parameters along with indicators for the damper setting and driving mode you have selected.

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The wide center console houses all the switches and dials to control both the infotainment and some car-related settings.

If the shiny touch panel with the scroll wheel underneath it looks familiar, it’s because this is what Mercedes cars used one generation back. It’s not the greatest unit, but it still feels modern and far more reliable than anything Aston could have developed in-house.

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They even added a knee pad on each side of the transmission tunnel, which means you don’t exit with bruised limbs after a spirited drive through some twisty backroads, something that happens to me with a lot of cars.

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Lift the tailgate and you’ll be surprised at the amount of space you have. The trunk easily swallows a couple of camera bags and a tripod, meaning it’s perfectly sized for a weekend getaway.

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Design is subjective, so I don’t want to spend long talking about looks, but it’s hard not to fall for this car. It’s simple and elegant yet incorporates aggressive touches, my favorite being the rear light setup that swings up along the trunk line.

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This creates an instantly recognizable shape. You know it’s an Aston Martin from a mile away, and I think that’s half of the job done right there – penning a recognizable shape as a signature for your brand. This is something Aston has always done well and their new crop of cars are no different.

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The reason why I got to drive this car for a few days – and decided to take the gearbox angle for this story – is that when chatting to Aston Martin’s representative in Japan was told that the manual version of the Vantage V8 would be arriving in the country this year.

I’m sure it will represent the ultimate interpretation of this chassis, but while waiting for the manual test car to arrive Aston Martin Japan suggested I first try the 8-speed ZF automatic-equipped V8 Vantage, and here we are.

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Having been pleasantly surprised at the capability and everyday usability of this thing, I’m hoping the 7-speed Graziano manual 2020 V8 Vantage will be even more special, and then the question I’ve posed in the title can be definitively answered.

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A manual always allows the driver to feel more connected to the car, more involved, and therefore offers up a far more satisfying driving experience. In 2020, finding manual cars with this sort of performance pedigree only leaves you with a handful of manufacturers, but hopefully that will change.

So I’ll end this story here; call it part one of my Vantage V8 experience. Now, I better hit up Aston Martin Japan and see if that manual has arrived…

Dino Dalle Carbonare
Instagram: dino_dalle_carbonare
dino@speedhunters.com

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